Arlington, Virginia
Wood veneer for Arlington projects
Rosebud Veneer supplies architectural veneer panels and raw wood veneer to designers, architects, and fabricators throughout Arlington and the greater Virginia area — shipped nationwide, cut and matched to order.
Products
Veneer available in Arlington
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Rift White Oak Veneer
Straight, linear rift-cut white oak with a clean vertical grain — the default choice for contemporary architectural interiors.
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White Oak Veneer
White oak veneer across rift, quartered, and plain-sliced cuts, grades, and backers.
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Quartered White Oak Veneer
Quarter-sliced white oak showing the characteristic medullary ray fleck — traditional and highly figured.
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Fumed Rift White Oak Veneer
Ammonia-fumed rift white oak — deep, aged tone with the same tight linear grain, and no stain required.
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Fumed White Oak Veneer
White oak darkened right through by ammonia fuming, reacting with the timber’s own tannins for color that will not sand away.
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Gray Dyed White Oak Veneer
White oak dyed through to a controlled, repeatable gray — consistent across flitches for large specifications.
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Walnut Veneer
American black walnut with rich chocolate tones — the premium standard for cabinetry and architectural millwork.
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Quartered Walnut Veneer
Quarter-sliced American walnut with a straight, disciplined grain and even color across the leaf.
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French Walnut Veneer
European walnut with a lighter, warmer, more golden cast than its American cousin, and a livelier grain.
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Walnut Crotch Veneer
Cut from the fork where the trunk divides — the dramatic plume or feather figure prized for tabletops and center panels.
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Walnut Claro Burl Veneer
Californian claro walnut burl — swirling eyes and color streaks over a warm chocolate ground. Highly limited.
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Quartered Beeswing Walnut Veneer
A fine, shimmering mottle across quartered walnut, named for its resemblance to an insect wing. Rare and highly specified.
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Birdseye Maple Veneer
Hard maple carrying dense clusters of small conical "eyes" — a bright, energetic figure on a pale ground.
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Curly Maple Veneer
Rippling, three-dimensional curl across the grain that shifts as you move past it — also called tiger or flame maple.
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Quilted Maple Veneer
Large, billowing pockets of figure with extraordinary depth — the most dramatic of the maple figures.
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Burl Maple Veneer
Dense clusters of dormant buds in pale maple — tight, swirling eyes with almost no directional grain.
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Mappa Burl Veneer
European poplar burl with a fine, map-like tracery of dark lines over a creamy ground — excellent dyed or natural.
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Amboyna Burl Veneer
The burl of Southeast Asian narra — glowing orange-red with tight, brilliant eyes. One of the most valuable veneers in the world.
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Redwood Burl Veneer
Deep red-brown Californian redwood burl with dense, curling eye clusters — commanding at architectural scale.
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Burl Bog Sequoia Veneer
Sequoia burl recovered from bog conditions, darkened by long submersion into smoky grays and browns. Extremely limited.
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Olive Ash Burl Veneer
European ash burl with olive-toned streaking and swirling eyes over a golden ground — warm and richly patterned.
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English Harewood Burl Veneer
Sycamore burl chemically treated to a silvery gray-green — the classic English harewood of fine cabinetmaking.
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Karelian Birch Burl Veneer
Northern birch with a dense, flame-like internal figure of dark flecks in honey-gold — a genuine rarity.
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Indonesian Madrone Burl Veneer
Fine, uniform burl eyes in warm pinkish-tan — one of the most consistent burls available in large sheet sizes.
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Quilted Bubinga Veneer
African bubinga with a rolling quilted figure over deep red-brown — spectacular in large sequenced panels.
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Kevazinga Veneer
Rotary-cut bubinga taken through the buttress, producing swirling concentric bands of red and violet.
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Black Mottled Makore Veneer
African makore carrying a fine dark mottle over deep red-brown — restrained but unmistakably figured.
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Curly Makore Veneer
Makore with a tight, even curl running across a warm red ground — a lustrous, shifting surface.
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Quilted Makore Veneer
Broad, rolling quilt figure in deep red makore — dramatic across full-height wall panels.
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Quartered Ribbon Sapele Veneer
Quartered sapele showing the classic interlocked ribbon stripe that reverses in the light.
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Sapele Pomelle Veneer
A dense field of small, bubbling "pomelle" blisters across sapele — like a suspended cloud of tiny domes.
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Afromosia Veneer
A fine-textured West African hardwood in warm honey-brown, often specified as a sustainable teak alternative.
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Mozambique Veneer
Also sold as ovangkol — an African hardwood with olive-brown ground and dark, decisive stripe.
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Wenge Veneer
Near-black African hardwood with fine, close-set pale striping — the darkest natural veneer in common specification.
Wenge Veneer in Arlington → -
Crotch Dibitou Veneer
Crotch-cut dibetou, the African walnut — a plume figure in warm golden-brown with a fine luster.
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Fumed Figured Etimoe Veneer
Figured etimoe deepened by fuming — a rich, dark red-brown carrying a soft mottle.
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Curly Anigre Veneer
Pale golden African anigre carrying a fine, even curl — light, contemporary, and widely specified for hospitality interiors.
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Figured Anigre Veneer
Anigre with a broader, more varied figure across a creamy gold ground — an even, luminous surface.
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Curly English Sycamore Veneer
The palest of the figured veneers — near-white English sycamore with a tight, silvery curl.
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Sawn European Beech Veneer
Sawn — not sliced — flat-cut European beech, giving a thicker leaf and a clean, even, pale surface.
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Tamo Ash Veneer
Japanese ash with a rare peanut-shell figure — a swirling, three-dimensional pattern unlike any other veneer.
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Figured Eucalyptus Veneer
Warm pink-brown eucalyptus with a lively, shifting figure — a contemporary favorite for feature joinery.
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Eucalyptus Beeswing Veneer
A fine, close beeswing mottle across eucalyptus — a shimmering, insect-wing surface at close range.
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Figured Gray Dyed Eucalyptus Veneer
Figured eucalyptus dyed through to a controlled gray — the figure reads as light and shadow rather than color.
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Fumed Eucalyptus Veneer
Eucalyptus deepened by ammonia fuming into a smoky brown, with the figure brought further forward.
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Fumed Quartered Curly Eucalyptus Veneer
Quartered curly eucalyptus, fumed — a tight curl over a deep smoky ground, and one of the most striking panels we press.
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Fumed Quartered Larch Veneer
Quartered larch darkened by fuming — a strong, straight grain in warm smoky brown.
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Macassar Ebony Veneer
Dramatic black and amber striping — the definitive luxury veneer, and unmatched in sequenced panel work.
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Royal Ebony Veneer
Pale straw heartwood shot through with decisive black streaks — the ebony that reads light rather than dark, though some leaves come through predominantly black.
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Santos Rosewood Veneer
Violet-brown ground with dark, decisive striping — the widely available rosewood alternative for architectural work.
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Teak Veneer
Golden-brown teak with its characteristic oily luster — the enduring choice for mid-century and marine-influenced interiors.
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Quartered Teak Veneer
Quarter-sliced teak with a straight, even grain and consistent color across the leaf.
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Zebrawood Veneer
Bold, high-contrast dark striping over pale gold — graphic and immediately recognizable.
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Bloodwood Veneer
Intense, saturated red straight from the tree — the most vivid natural color in the veneer catalog.
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Tineo Veneer
Chilean tineo — a warm red-brown ground shot through with irregular dark streaks and flecks.
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Curly Koa Veneer
Hawaiian koa with a deep, rolling curl and golden-red color — scarce, and among the most beautiful veneers made.
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Satinwood Crotch Veneer
Crotch-cut satinwood — a luminous golden plume with the satin luster the species is named for.
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Crotch Mahogany Veneer
The classic feather-figure mahogany crotch — the traditional centerpiece of fine period cabinetmaking.
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Black Limba Veneer
Pale golden limba shot through with dramatic black and gray streaking — graphic, and a mid-century staple.
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Bosse Pomelle Veneer
A dense field of small blistered pomelle figure over warm reddish-brown African bosse.
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Douglas Fir Veneer
Vertical-grain Douglas fir — warm amber tones and a strong, straight grain for Pacific-Northwest and mid-century interiors.
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Cherry Veneer
American black cherry — fine, even grain and a warm reddish brown that deepens with light and age.
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Figured Cherry Veneer
Cherry carrying curl or wave across the leaf, so the same warm ground picks up light and moves as you pass it.
Figured Cherry Veneer in Arlington → -
Claro Walnut Veneer
Western walnut with far more color swing than the eastern black — honey through to near-purple, often in one leaf.
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English Brown Oak Veneer
Oak colored all the way through by a fungus that stains the standing tree, giving a deep brown no dye reproduces.
English Brown Oak Veneer in Arlington → -
Mahogany Veneer
The classic cabinet timber — straight to interlocked grain, an even reddish brown, and it works and finishes predictably.
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Cypress Veneer
Pale golden brown with a soft, straight grain — a quieter face than the hardwoods, and lighter in weight.
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Spanish Cedar Crotch Veneer
The feathered figure taken from the fork of the tree, in the aromatic reddish timber traditionally used for humidors.
Spanish Cedar Crotch Veneer in Arlington → -
Quartered Paldao Veneer
Gray-brown ground with dark irregular striping, quartered so the stripe runs straight down the leaf.
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Imbuya Pommele Veneer
Brazilian imbuya carrying pommele — the tight, overlapping blister figure that reads like light on water.
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Olive Ash Crotch Veneer
Ash with the olive-brown heartwood streaking, cut from the fork so the grain feathers out from the center.
Olive Ash Crotch Veneer in Arlington → -
Figured Makore Veneer
African makore with a mottled, shifting figure over a pinkish-red ground — restrained until the light moves.
Figured Makore Veneer in Arlington → -
Flat Cut Etimoe Veneer
Etimoe sliced flat rather than quartered, so the darker striping opens into a broad cathedral rather than a straight line.
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Quartered Ribbon Cerajera Veneer
Quartered to bring up an even ribbon stripe that alternates light and dark as the viewing angle changes.
Quartered Ribbon Cerajera Veneer in Arlington →
Contact
Get Arlington pricing
Tell us the species, the format, how many, and where in Arlington it is going — we will come back with a price and a lead time. Or call (502) 330-5688 and talk it through.
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